July 7- July 27

Strictly Seattle

IMMERSIVE TRAINING / PERFORMANCE OPPORTUNITIES /
PROFESSIONAL CONNECTIONS / ARTISTIC GROWTH

Strictly Seattle is the perfect three-week immersion in the Seattle dance scene. Whether you’re a young professional
looking to spend your summer training and performing, or you’re brand new to dance and would like a jump-start to getting to train and dance with world-class teachers, these three weeks will challenge and nurture you as you tackle daily classes and perform in a brand new original work by Seattle’s best choreographers.

Tracks

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PROFESSIONAL/ ADVANCED TRACK

Choreographers – Pat Graney, Dani Tirrell, Kate Wallich
Additional faculty – Jade Solomon Curtis, Jody Kuehner, Gilbert Small
9:30AM–5:30PM / M–F

PROFESSIONAL/ ADVANCED TRACK

The professional/advanced track is for dancers at an advanced-to-professional level of training. Dancers develop a new work in collaboration with three celebrated Seattle choreographers. Highly challenging classes include daily contemporary technique, contemporary ballet, West African, creative process, partnering, improvisation, and Hip Hop. Audition at Velocity on July 7 (registration day) to confirm level and casting.

ADULT BEGINNING TRACK

Choreographer – Maya Soto
Additional faculty – Natascha Greenwalt
6PM–9:30PM / M–F

ADULT BEGINNING TRACK

The adult beginner track is for those with little or no previous dance experience. Participants learn the basics of contemporary movement and create a new work in collaboration with a professional Seattle choreographer. Technique classes include contemporary dance and ballet.

ADULT BEGINNING HIP HOP SESSION

with Jaret Hughes
11:30AM–2:30PM / M–F

ADULT BEGINNING HIP HOP SESSION

The adult beginning hip-hop track is for those with little or no previous dance experience. This fun, high-energy track gives participants confidence with Hip Hop moves and rhythms. Dancers develop a new work in collaboration with veteran Hip Hop choreographer Jaret Hughes.

DANCE FILM TRACK

with KT Niehoff and faculty
10AM-6PM / SAT + SUN
*Students will put in additional independent hours for filming and editing on weekdays

In this weekend-focused intensive for beginning-to-advanced filmmakers and dancers, participants will create their own short dance film under the guidance of renowned multidisciplinary generative artist KT Niehoff. Because Velocity is partnering with Northwest Film Forum this year, students’ films will be screened during the final performances at Strictly Seattle as well as at the Local Sightings Film Festival in September 2019.
The dance/film track includes learning sound and choreographic elements, storyboarding, location scouting, styling, as well as the opportunity to work with award-winning Seattle cinematographers and film composers. They will also be able to drop into any dance class.

ADULT INTERMEDIATE TRACK

Choreographers – Mark Haim, Veronica Lee-Baik
Additional Faculty – Natascha Greenwalt
6PM–10PM / M–F

ADULT INTERMEDIATE TRACK

The adult intermediate track is for dancers with at least a few years of dance training who want to take their technique and artistry to the next level. Dancers develop a new work in collaboration with one of two celebrated Seattle choreographers. Classes include contemporary dance and ballet.

FACULTY BIOS

One of the things that makes Strictly so special is the team of artists dancers get to study and dance with. Learn more about your teachers and classes by browsing the bios below!

PROFESSIONAL /  ADVANCED
FACULTY + CHOREOGRAPHERS

Kate Wallich

Kate Wallich is a Seattle based choreographer, director and educator, who has left a significant mark on the Pacific Northwest with her all-abilities community dance class Dance Church™, her company the YC, co-founded with Lavinia Vago, and Studio Kate Wallich. She has presented work at SF-based RawDance, Jacob’s Pillow Dance Festival Inside/Out, Springboard Danse Montreal, and many others. Through the support of the Studio, Kate founded YC2 — a platform for emerging dance professionals — in partnership with Velocity Dance Center in 2016. She was recently named one of Dance Magazine’s “25 to Watch”. For Strictly Seattle, she will be putting choreography from her acclaimed Industrial Ballet on Advanced/Professional students.

Pat Graney

Seattle-based choreographer Pat Graney received Choreography Fellowships from the National Endowment for the Arts for 11 consecutive years, as well as from Artist Trust, the Washington State Arts Commission, the NEA International Program, National Corporate Fund for Dance and the John Simon Guggenheim Memorial Foundation. She is the recipient of the Alpert Award, US Artists in Dance Award, and The Doris Duke Performing Arts Award. Her project Keeping the Faith / The Prison Project is one of the longest-running prison arts programs in the U.S.

Dani Tirrell

Dani Tirrell is a Black, Queer, Gender Non-Conforming movement-based artist, and uses Dani as his/her preferred pronoun. The focus of Dani’s work is centered on Black women/womxn/womyn that includes trans and GNC women/womxn/womyn. Dani’s background is in modern dance, but also incorporates House, Vouge and Whacking. Dani has choreographed works for Northwest Tap Connection (Seattle), Full Circle Dance Company (Detroit), Jazz and Spirit Dance Theater of Detroit (Detroit), Detroit Windsor Dance Academy (Detroit) and has taught workshops centered on gender/sexuality/race at Texas Festival of Dance Improvisation (Texas Women’s University). Dani will continue with the position of lecturer in the University of Washington Dance Department, teaching Street and Club Styles. Dani’s latest work Black Bois premiered at On the Boards (Seattle) in April 2018.

Jade Solomon Curtis

Jade Solomon Curtis is a dance artist and choreographer who integrates classical and African-American vernacular movements with mixed-media and Hip Hop culture. A celebrated soloist of Donald Byrd’s Spectrum Dance Theater for four seasons, Curtis is the subject of an Emmy Award-winning short film, Jade Solomon Curtis directed by Ralph Bevins. She received SeattleDance’s first Dance Crush Award for Performance/Choreography in the riveting workshop of Black Like Me that lead to further development and funding from the National Dance Project.

Jody Kuehner

Jody Kuehner is a Seattle-based dancer, director, drag queen Cherdonna Shinatra. As Cherdonna, she currently performs regularly with drag-queen superstar BenDeLaCreme (RuPaul’s Drag Race); and the award-winning international sensations Kitten LaRue and Lou Henry Hoover. In addition to her work as Cherdonna, for which she has been awarded a 2015 Stranger Genius Award and 2010 Spotlight Award, Kuehner frequently works with Dayna Hanson, Pat Graney, and Mark Haim, including performances in Graney’s House of Mind and Haim’s This Land is Your Land.

Gilbert Small

Born in Baltimore, Maryland, Gilbert Small started his professional ballet training at the age of 10 at the Baltimore School for the Arts. He has studied at various summer programs, including Dance Theater of Harlem, Nutmeg Conservatory, Miami City Ballet, American Ballet Theatre and Springboard Danse Montreal. He has also performed with Toronto-based ProArteDanza. Prior to joining Ballet BC, Gilbert performed for New York-based Sidra Bell Dance New York. He is in is his 10th season with Ballet BC.

ADULT HIP HOP

Jaret Hughes

Jaret Hughes has 14 years of dance experience, with Hip Hop being his specialty along with training in Modern, Jazz, Ballet and African. Choreography credits include the L.A. Clippers Spirit Dance Team (guest choreographer), Seattle Supersonics Dance Team for 5 years, founder of 2wisted Elegance from Seattle and LA’s debut of 2wisted Elegance with the help of his good friend Joey Cooper, Modazz Competition Teams at Elizabeth’s Dance Dimensions, co-choreographer and dancer for EVE in LA, and assistant choreographer / assistant Artistic Director for the “Invitation Feedback” video contest submission for Janet Jackson. Performances include: Seattle’s Kube 93’s Summer Jam for 3 years with Twisted Elegance, which included sharing the main stage with artists such as Destiny’s Child, Ginuwine, Busta Rhymes, Blackstreet, Naughty By Nature and many more. Jaret has shared his choreography expertise with various high school and college dance teams throughout Washington, California and Idaho.

DANCE / FILM

KT Niehoff

KT Niehoff is an artist whose focus is the complex relationship between bodies and space. She creates multi-sensory, multi-dimensional, immersive performance environments, with highly crafted audience participation. These experiences both integrate and transcend choreography, music, design, film and technology, narrative and audience/artist proximity. During her career she has built over 30 works that have toured performance venues, festivals and colleges throughout the US and in Japan, Canada, Germany and Ecuador. Notable fellowships, awards, articles and grants include: James W. Ray Distinguished Artist Award Nominee (’17), New Filmmakers NYC Official Selection (’15), Miami Short Film Festival Official Selection, (14’), MAP Fund recipient (’12-’13), Cover Feature Dance Teacher Magazine (’12), San Francisco International Dance Film Festival Official Selection (’10), Dance Magazine’s “International Women in Dance” featured artist (’08), among many others.

ADULT INTERMEDIATE

Mark Haim

Mark Haim is in his 4th decade of making dances. Born in New York City, Mark studied as a classical pianist at the Manhattan School of Music before beginning his formal dance studies with an honorary scholarship at The Juilliard School, where he received his BFA. He has created new works for many dance companies in the US, Europe and Asia, among them the Nederlands Dans Theater, Ballett Frankfurt, the Limon Dance Company, the Joffrey II Dancers, the Rotterdamse Dansgroep, the Silesian Dance Theater, the Companhia de Danca de Lisboa, CoDanceCo, the TRANS Dance Co., and Ballet Pacifica. He has restaged his works on companies such as The Joffrey Ballet, the Bat-Dor Dance Company of Israel, Djazzex, and the Juilliard Dance Ensemble. Since 2002, he has been guest choreographer at The Wooden Floor, an after-school organization that has promised hope and opportunity to nearly 400 low-income youth annually. He is a recipient of a 1987 NYFA Fellowship, 1988 and 1996 NEA Fellowships, and grants from the NPN Suitcase Fund, ArtsLink, Inc., the Harkness Foundation, the Jerome Foundation, and the Seattle Mayor’s Office of Arts and Culture. In 2000, he was awarded the Scripps/ADF Humphrey-Weidman-Limon Fellowship for Choreography. His full evening solo project, The Goldberg Variations, has been performed at the John F. Kennedy Center, the American Dance Festival, the Danspace Project at St. Mark’s Church, On The Boards, and other venues in the U.S, Europe, and Asia. His This Land Is Your Land opened the 2013 ArtDanthe Festival in Paris, and has also been performed at the Joyce Theater, ADF, and by groups in San Diego and Beijing.

Veronica Lee-Baik

Born in Singapore, Veronica Lee-Baik studied art and dance. She is a visual artist whose medium of choice is the body using it as a tool for dialogue with herself and the world. Her approach to movement activates the senses to become fully alive and involved. She founded The Three Yells to explore and translate social, political, and cultural issues through multidisciplinary performance. Her idiosyncratic approach has been described as “a clear eye for an unusual landscape—her stage pictures are distinctive and disturbing.”Lee-Baik work has been produced by Cornish Playhouse At Seattle Center, 12th Avenue Arts, Velocity Dance Center, On The Boards, Northwest Asian American Theatre, Soil Gallery, Bumbershoot, Seattle University, Conduit (Portland), and Victoria Theatre (Singapore). Lee-Baik is a recipient of the 2017 Artist Trust James W Ray Venture Project Award and 2018 4Culture Arts Project Award for her recent project, A Crack In The Noise. Lee-Baik co-founded and co-directed Exit Space School of Dance in Seattle. Her passionate and technique oriented teaching has helped students into various dance institutions such as Pacific Northwest Ballet, Cornish College of the Arts,The Juilliard School, Alonzo King Lines Ballet, and AustinBallet. www.thethreeyells.com

Natascha Greenwalt

Natascha Greenwalt is a Seattle based performer, teaching artist, choreographer and GYROTONIC® Instructor. In 2005 she graduated magna cum laude from Cornish College of the Arts as a Kreielsheimer Scholarship recipient and has performed with companies such as Spectrum Dance Theater and House of Verlaine. She has received choreographic commissions from Ballet Bellevue, Western Washington University, and Cornish College of the Arts. She teaches ballet at Exit Space: School of Dance, and has served as a guest instructor for Whitman College SDL and the Montana Dance Arts Association, DANCE This and Velocity Dance Center’s Strictly Seattle. This year marks Coriolis Dance’s 11th season for which she is the co-artistic Director and co-founder along with Christin Call.

ADULT BEGINNER FACULTY + CHOREOGRAPHERS

Maya Soto

Maya Soto is a choreographer, performer and award winning arts educator. She is a member of Catapult Dance Company and a successful independent artist. She is a recipient of the Velocity Dance Champion Award (2014) for significant contribution to Seattle dance. Her vast body of work includes concert performance, movement installations, dance for theater and for film. Athleticism, embodied movement and rhythmic dynamics are pillars of her work. She brings together classical dance training and a sense of play and entertainment. She has created and produced seven evening-length shows over the last 13 years. Her choreography has been featured in every major dance festival in the Northwest including OTB/Northwest New Works Festival (SEA), BOOST Dance Festival (SEA), Pacific Dance Makers (PDX), Seattle International Dance Festival (SEA) and Conduit’s Dance+ Festival (PDX).

Natascha Greenwalt

Natascha Greenwalt is a Seattle based performer, teaching artist, choreographer and GYROTONIC® Instructor. In 2005 she graduated magna cum laude from Cornish College of the Arts as a Kreielsheimer Scholarship recipient and has performed with companies such as Spectrum Dance Theater and House of Verlaine. She has received choreographic commissions from Ballet Bellevue, Western Washington University, and Cornish College of the Arts. She teaches ballet at Exit Space: School of Dance, and has served as a guest instructor for Whitman College SDL and the Montana Dance Arts Association, DANCE This and Velocity Dance Center’s Strictly Seattle. This year marks Coriolis Dance’s 11th season for which she is the co-artistic Director and co-founder along with Christin Call.

PRICING & REGISTRATION

PROFESSIONAL/ADVANCED SESSIONS

$850 (Early bird $725)

DANCE FILM TRACK

$850 (Early bird $725)

ADULT INTERMEDIATE SESSION

$750 (Early bird $625)

ADULT BEGINNING SESSION

$750 (Early bird $625)

ADULT BEGINNING HIP HOP SESSION

$650 (Early bird $525)

PERFORMANCES & PUBLIC EVENTS

Strictly Seattle official participants many different opportunities to perform + connect with other artists. In addition to Strictly Outside and Strictly Seattle, artists will have two opportunities to present excerpts of new or previously developed pieces: at both SH*T GOLD: The Deep End and our private Participant Performance Night. Get feedback from some of the city’s most daring and courageous dance-makers, and meet the friends and artists you’ll collaborate with for years to come!

FAQ

Velocity is currently looking for summer interns and work/study participants! Learn more + apply below!

Where is Strictly seattle?

Strictly Seattle is housed at Velocity Dance Center on Capitol Hill // 1621 12 Ave. Seattle, 98122

Performances will be at Broadway Performance Hall // 1625 Broadway, Seattle, 98122

WHEN ARE THE FESTIVALS?

Strictly Seattle takes place July 7-27, 2019

Performances are July 26 + 27, 2019

WHAT LEVEL SHOULD I BE IN?

To choose your level, consider the kind of experience you would like to have this summer! The festival ideally offers you a balance between challenges and growth. Talk to a teacher or instructor who knows your dancing well, and have a conversation about what level you would thrive in. Click HERE to visit our tracks descriptions. 

DOES STRICTLY SEATTLE HAVE AN AGE LIMIT?

Strictly Seattle is designed as an adult program, so we set our age minimum to 16 years of age.

If you do not meet the age minimum but still feel this opportunity is where you need to be, please feel free to reach out to Erin Johnson at erinjohnson@velocitydancecenter.org

WILL THERE BE AN OPPORTUNITY TO SHOW WORK?

One of the most valuable aspects of attending a summer dance festival is the opportunity to engage daily with a motivated community of artists. In addition to these daily exchanges, there is the Strictly Seattle Participant Choreography Showcase on July 20th at 7PM. Spaces are limited, and you can sign up after the festival’s Opening Circle.

We will also be holding a special edition of our SH*T GOLD program on July 17th from 6-10PM. 

DOES STRICTLY SEATTLE HAVE AN AUDITION?

There are no auditions required for acceptance into Strictly Seattle.

There are, however auditions that help determine placement/choreographer assignments that vary by track:

For the Professional/Advanced Track there will be an audition on Opening Day (July 7) to determine which choreographer you will be working/rehearsing with for the duration of the intensive and to ensure the best fit for everyone. The audition on July 7 will consist of learning bits and pieces of choreography from each choreographer.

You MUST be at this audition for placement. No video submissions will be accepted.

For the Intermediate/Adult Beginning Tracks, the first day of class will serve as an opportunity for the teachers to ensure proper level placement for each student.

If Intermediate Track students have a preference on choreographer, they should mention it in the comment section when registering online. Although not guaranteed, we will do our best to accommodate your preference.

DOES VELOCITY PROVIDE FINANCIAL AID, SCHOLARSHIPS, OR WORK/STUDY?

We are unable to provide financial aid, but we do offer an Early Bird registration discount, Internships and Work/Study Scholarships:

  •  One way to save money on Strictly Seattle is to register by May 17, 2019 / 5pm PST to get the Early Bird discount.
  •  We offer partial scholarships via our summer Work/Study program. Work/Study scholarship students are essential to creating Velocity’s comfortable environment. This includes keeping the space neat, tidy, and welcoming to all. Priority applications are due April 1, 2019 / Midnight PST, and applications will be considered on a rolling basis thereafter.
  • Velocity also offers Summer Internships, which give interns the chance to learn how to program and run a national dance festival. Applications are due by April 10, 2019 / Midnight PST.
  •  We welcome applications from everywhere. The interview process can happen either in person, on the phone, or via Skype.

For more info, read about the work/study program details here.

Is there public transportation near Velocity?

Yes! Public transportation in Seattle is a great way to see and get familiar with the city. The bus system takes exact change only, or you can buy an Orca card here. There are two great smartphone apps that make bus riding easier: One Bus Away and Hop Stop.

What is there to do on the weekends?

Seattle in the summer is one of the most exciting and beautiful places to be in July and August. With music festivals like the Capitol Hill Block Party and some of the nation’s best hiking and natural landscapes, you’ll have plenty of options for recreation. Velocity is located on Capitol Hill,  one of the most culturally vibrant neighborhoods in Seattle known for its bustling arts & culture, radical queer history, and delicious food. — a city known for great art, music, culture and natural beauty. Use your weekends to explore the city, take a ferry to a neighboring island, or take advantage of Velocity’s weekend offerings including classes, performances, movie nights + more.

Will I be the only dancer not from Seattle?

No! Strictly Seattle students come from all across the country!

Will there be pointe work?

Strictly Seattle weaves ballet technique into the weekly schedule, however there is no pointe work in these classes.

How many people will be in my technique class?

To ensure a great experience for everyone, Strictly Seattle technique classes are limited to 20-25 dancers

What if I have a potential conflict with rehearsals?

Coming late/leaving early is not recommended. Fully immersing yourself into the process is ideal, and allows for a rich creative process. Please contact our Artistic Director Erin Johnson (erinjohnson@velocitydancecenter.org)  and your choreographer if you have unavoidable conflicts.

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SFDI WAS NOURISHING AND TRANSFORMATIVE STRICTLY SEATTLE JUMP STARTED MY DANCE CAREER AND ALLOWED ME TO MAKE THE CONNECTIONS I NEEDED. MY RESEARCH CENTER MY DANCE UTOPIA MY MOMENT TO HYDRATE IN THE KNOWLEDGE OF WORLD-CLASS TEACHERS.Enlightening. Supportive. Creative. PURE MAGIC. SFDI WAS NOURISHING AND TRANSFORMATIVE STRICTLY SEATTLE JUMP STARTED MY DANCE CAREER AND ALLOWED ME TO MAKE THE CONNECTIONS I NEEDED. MY RESEARCH CENTER MY DANCE UTOPIA MY MOMENT TO HYDRATE IN THE KNOWLEDGE OF WORLD-CLASS TEACHERS.Enlightening. Supportive. Creative. PURE MAGIC. SFDI WAS NOURISHING AND TRANSFORMATIVE STRICTLY SEATTLE JUMP STARTED MY DANCE CAREER AND ALLOWED ME TO MAKE THE CONNECTIONS I NEEDED. MY RESEARCH CENTER MY DANCE UTOPIA MY MOMENT TO HYDRATE IN THE KNOWLEDGE OF WORLD-CLASS TEACHERS.Enlightening. Supportive. Creative. PURE MAGIC. SFDI WAS NOURISHING AND TRANSFORMATIVE STRICTLY SEATTLE JUMP STARTED MY DANCE CAREER AND ALLOWED ME TO MAKE THE CONNECTIONS I NEEDED. 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